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(Note: Pencil Points magazine is now Progressive Architecture.)

Rose, James C. "Articulate Form in Landscape Design." Pencil Points. February 1939, 20: 98-100. Reprinted as: Rose, James C. "Articulate Form in Landscape Design." in Modern Landscape Architecture. ed. Marc Treib. Cambridge: The MIT Press; 1991. Rose discusses form and materials in relation to modern design, stating that they are the result of contemporary living and are not pre-determined.

Rose, James C. "Freedom in the Garden." Pencil Points. October 1938, 19: 640-644. Reprinted in Rose, James C. "Freedom in the Garden." in Modern Landscape Architecture. ed. Marc Treib. Cambridge: The MIT Press; 1991. In this article Rose compares architecture, sculpture and landscape architecture; they are similar because all are based on space relations, yet landscape architecture is unique in that its elements are dynamic. (Photos and axons)

Rose, James C. "Integration." Pencil Points. December 1938; 19:758-760. In this Rose vehemently argues for integration of all design forms and human activities.

Rose, James C. "Landscape Models." Pencil Points. July 1939, 20: 438-448. 
Rose argues for the use of scale models in the design process.

Rose, James C. "Plants Dictate Garden Forms." Pencil Points. November 1938; 19: 695-697. Reprinted as: Rose, James C. "Plants Dictate Garden Forms." in Modern Landscape Architecture. ed.- Marc Treib. Cambridge: The MIT Press; 1991. Rose expounds his belief that plants should dictate the form of a design, and should not be applied to a preconceived pattern. Rose also believes that plants are not merely exterior decorations; the beauty of a plant is seen in its use to express space in volumes and its ability to facilitate everyday living. (Photos of models)

Rose, James C. "Plant Forms and Space." Pencil Points. April 1939, 20: 226- 230. Rose argues that space is defined by materials which create volumes within which humans circulate; and in this volume of space humans perceive an interspatial vista. Rose also states that in order to use plants as a material, the designer must understand plant forms and growth requirements. A chart of plant palette materials is included. (Photos of models)

Rose, James C. "Why Not Try Science." Pencil Points. December 1939, 20: 777-779. Article reprinted as: Rose, James C. "Why Not Try Science?." in Modern Landscape Architecture. ed. Marc Treib. Cambridge: The MIT Press; 1991. Rose asserts that science in modern design is not merely the introduction of new materials, but an approach which should affect the economy of producing landscapes for living. (Photos of models)

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